Julius

I actually really like Duel of the Fates being used in the first cinematic, but to each their own for me it's because the fate of the galaxy is very much being decided in that cinematic in the same way it was The Phantom Menace (Anakin loses his father figure and potential mentor, which has a huge bearing on his trajectory) and Revenge of the Sith (Sidious and Yoda throwing senate seats at each other). Being choral it also brings that touch of timelessness and legend. I would totally agree with you when it comes to some of the other cinematics, though. Losing a battle with guys in white armour does not mean that Anakin's Dark Deeds needs to start playing. This a big problem when you have an audience going in with preconceptions about a character based on what's been scrapped as having any form of relevancy when it comes to what is considered canon and thrown onto the pile labelled 'Legends', unfortunately. I mean, not that I can really blame them, as there were some 43/44 years between his first appearance and The Book of Boba Fett, which is a lot of expectation to live up to. And it's probably not helped by all the winking and nodding we got about Boba's fate before he even appeared in Mando. Personally I don't think how he's presented in the show lives up to the promise of how he was presented in Mando at times, but meh, it's not big deal I mean, Luke's is a very different situation, but that doesn't at all excuse some of the behaviour you see from Star Wars fans. It's for kids. Always has been. It can absolutely fail to deliver despite that, but yeah, the treatment of the Star Wars cast and reactions to how characters have been presented since moving on from the original trilogy has been straight up inexcusable at times. That was true for the prequels, the sequels, and now everything since. Like you said, it's a very vocal minority (it almost always is on the internet), but it's a huge thorn in the side of the community. One of those franchise communities which is so massive that you'll be lucky to get a consensus at the best of times, and is at civil war at the worst.

In an interview with NU.nl, Mathijs de Jonge (the game's director) has shared that the game's delays were necessary to avoid crunch -- otherwise it might have made it out before Christmas. You love to see it, and it's another one in very heavy contrast to the stories we've seen over the last few years from other studios. The interview is pretty short and touches on the variety of cultures represented at Guerrilla, as well as the choice to go with a female protagonist for Horizon after Killzone, so it's well worth a read. Just get Translate or DeepL to hand, as it is in Dutch.

Digital Foundry's PS5 vs PS4 vs PS4 Pro comparison might also be a help if you want to see how drastic some of the differences are: EDIT: Sheikah'd

Confirmed for Friday over here by the Nintendo UK Twitter: Seemed unlikely it'd drop on a Saturday but I know we've been left to wait a little longer (by date) than the US before, so wanted to be sure! At this point I think I'll try to make a concerted effort to get through what NES and SNES games I can before my subscription is up in September, then I might consider upgrading to the Expansion Pack tier.

One. Last. Time! There were rumours going around that he was doing something for TV only a week or so ago, and here we are: John Williams is (for a second time) getting what will likely be his Star Wars bow out, this time in Obi-Wan Kenobi. Seems to be a similar deal to Solo, for which he also composed the main theme. Very intrigued to see where he goes with it: a play on the Force Theme (which, originally, was very much Obi-Wan's theme in the original film), maybe a twist on Battle of the Heroes and/or Duel of the Fates, or something new entirely? My hype is going through the roof for this now, and we've still got more than 3 months to go

Obligatory: The greatest measure of my evolution as someone who plays games in the years since I first played Ocarina of Time has to be coming back to this and finding all of the Cuccos in Kakariko and returning them to the pen, I can't remember but I think I might have just given up last time. Now, I have no idea if lining myself up to throw a Cucco into a fence, climbing up onto the fence, picking up the Cucco while on the fence and then gliding with it is the actual solution, but it was good fun. It's funny, it's been so long since I've played it - and, well, didn't complete it, though it turned out I was much further along than I gave myself credit for! - and I've played so much since then that the greatest testament to this game's legacy is realising it feels so familiar through what I've experienced in other games. If imitation is the greatest form of flattery, then what the heck is Ocarina of Time? There have been a lot of instances like that and I'm only a few hours in, but my absolute favourite has to be the use of a roll to negate fall damage from great heights. Sound familiar? I'm so early I don't even have Epona yet, but man, there's already something undeniably special about traversing Hyrule Field. I don't think I've run from one side to another without the onset of nightfall, but it just so smartly makes the space feel bigger than it is, despite it not at all needing to be any bigger than it is. Again: I've seen this part of the game before, and I've got a fair way to go to get back to where I was (and then go beyond that to finally say I've completed Ocarina of Time), so what I've seen so far is nothing new to me, but I had to get it out of my system. This game has an aura about it which is only magnified further by seeing how it's influences have taken root everywhere. I don't even know if I'll come back to this thread to talk about it again before I finish it, but yeah, just a little Ocarina of Time praise

Majora's Mask is getting added February 25th: Effective counter-programming if you ask me

So I'm not saying that this is a sign that we'll see the game this year... ...but I'm also not saying that it's not a sign that we'll see the game this year

Oh yeah 100%, I mean if it ain't broke, right? Just gave me a very heart chuckle the first time we saw his eyes -- "Victor! What the hell are you doing here?!" If there's one thing I definitely appreciate about manga and Japanese pop culture in general it's that their idea of attractive men can oftentimes be so far out of touch with the West, with very few beards or obscenely muscular characters as you might expect over here in the typical "shoujo-bait" role, with those characters instead possessing very smooth faces and feminine looks, almost bring androgynous at times (Griffith and Septhiroth come to mind). And I mean, obviously I've got to mention the white hair too. It's a shame dyed white hair and white hair wigs that I've seen in cosplays never looks that good without being edited, otherwise I'm sure we'd see much, much more of it. Overwriting and overexplaining, at least from my experience, normally stems from excitedness or nervousness on the part of the creator in wanting to impart their exact vision, or simply not trusting the audience enough to get there themselves. Not to call out the target demographic as stupid or anything like that, but Shonen Jump's main demographic being a range of pre-teen boys through to young men, I could easily understand it being a case of both. Considering that manga is such a static form of storytelling where you're effectively given snapshots and your mind fills in the blanks, I think it can be easy to misinterpret what they were going for or to rush through -- so an explanation of what's happening can force readers to slow down and understand very clearly what it is that's being conveyed in particular panels/moments, if that's the creator's intent. Not to say that subtlety can't be pulled off in manga, but given how difficult it can be to put that subtlety across without the need for too much more work and/or using more space (of what is going to be very limited space anyways in something like Shonen Jump), I can kind of get it. At the same time, credit where credit is absolutely due to the animators. "Show don't tell" is sage advice for any form of storytelling which goes beyond the printed word and has a visual component, much more so a medium where movement and key frames can add so much emphasis and nuance. Anyways, I've wrapped up the Mugen Train Arc. It's still great, I've listened to the OST a whole lot since watching the film last year but it still gave me chills despite knowing all the major tracks intimately. Rengoku is still an awesome character, his fight scenes are still something else, and the additional episode added a bit of nice context before diving into what I'd already seen. Unfortunately by its very nature of being a film adapted to TV, it can feel very stop-start when compared with the film when you have a short recap of the final events from the preceding episode followed by an OP, and then mid-episode bumpers, etc., which is a necessary evil for such an adaptation but stalls the pacing just that little bit in a way you don't get in the film. With that in mind, ideally I think you should just watch the additional content episode and then watch the film, but otherwise it's all there. I loved the film, so it's not difficult to say that I loved this too. Now onto the Entertainment District Arc

Game is going for Big Boi™ status

Yeah, absolutely! I'm trying to think of other examples of show's faking you out in such a way, but nothing really comes to mind. Other than openings which are a total mismatch with the show when it comes to time (cries in Your Lie in April and Assassination Classroom) or just straight up show stuff that doesn't happen (cries in the horse riding shot in Code Geass). And now I'm mad about the horse riding shot again (Also, agreed on Nanami, another great character, his past is certainly relatable and no-nonsense characters are always a plus. Also, I know Gojo is definitely fan bait, but is it me or is he very much the spitting image of Victor from Yuri on Ice? As soon as we saw his eyes I was like "Oh, so that's what's going on here") Yeah, for sure. I'd put it right alongside Demon Slayer's move to make a canon movie as seriously one of the smartest decisions in the industry of recent times. Maybe even nudge it above that because I genuinely don't think I've ever seen it discussed, so I guess it was so smart it went somewhat under the radar! Some other shows definitely have the reverse problem as being advertised as one thing and then you find yourself staring down the barrel at 100+ episodes on MAL and I just...nope. Nice! Yeah I seem to remember getting through the first season in a few days which is why I've been patiently waiting for the second season to finish before catching up, though that was definitely made more difficult by seeing a lot of praise for its animation and ending on a double-hitter. That's how you really know something great is going down! Imagine I'll be caught up shortly And yeah, like with Attack on Titan, maybe even more so, Demon Slayer is something that I'll be staying anime-only for too. The music (good lord that sweet Demon Slayer music!) and ufotable's animation is absolutely S-tier. After finishing the show I had been toying with the idea of reading the manga, but I gifted my younger brother it instead for his birthday (bought the copies already out and pre-ordered all the volumes for him so he got them as they released) and he told me he was surprised by how the manga handled the shifting panels in Tsuzumi Mansion, which immediately had me backing out of reading the manga. The anime has just set such a stupidly high bar for its fight scenes that I can't imagine going from the anime to just a couple of pages, it's weird but it'd feel like doing it a disservice, when in fact it just means the anime is doing an excellent job of adapting the manga. And long may it continue! Oh, and I mean no surprise that it's coming, but Season 3 confirmed with a teaser hype:

Finished watching Jujutsu Kaisen last night. Loved it. Stupidly good vast of characters all around (Todo, Miwa and Megumi probably take the prize for being my favourites so far). I'm praying the fakeout in what is shown during the first OP remains the case, because it shocked the heck out of me when that thing went down. Looking forward to 0 next month! Tonight, to get me in the mood for the Entertainment District Arc, I started watching Demon Slayer's Mugen Train Arc...the TV adaptation. That additional original episode at the opening felt like a great hook honestly, and I love how they've plastered Rengoku's theme aaaaaaaaall over. Having an OP but not an ED has been pretty weird, but yeah, good fun. The animation in the additional episode looked as bonkers as the film, which has me raising the bar a little for what I expect from the Entertainment District Arc (from what I've heard, it should deliver) Yeah, I'm there with you, it is an odd choice -- but I do think it was a conscious one. I guess it could be argued that the Part 2's are continuations (in Season 4 especially so), but at the same time, you could totally count that as ending a season on a cliffhanger. Other shows have definitely done it. Makes me think they've pulled a very smart move and used it to lower the number of seasons you'd see when looking the show up at a quick glance, which could make it much more appealing to a potential newcomer? Then again, it's one of only a few shows I've seen very openly advertise themselves in their marketing as being seasonal and going so far as including season numbers in their titles and branding.

That's okay, on here we're only our metaverse avatars

That's easy. They've been making a realistic Chris Pratt model to add to Odyssey as DLC. They'll then be bricking the Switch consoles of those that don't purchase the DLC within 24 hours of it being added to the eShop, but not before adding Virtual Console to the store for only 5 minutes. Naturally, the eShop will crash. We'll be sent used eShop codes as compensation.

I wouldn't be surprised if GB and GBC end up squeezed in on NSO by the time the Switch's successor has landed, but anything beyond that I think would be saved for NSO once the Switch's successor arrives. And I'd still expect notable absentees on there, like Pokémon. It is a bit worrying that my immediate thought is that GBA/GC and onwards could end up exclusive to NSO on the Switch's successor, kind of like how the original 3DS bit the dust when it came to Virtual Console and SNES games were exclusive to New 3DS, though.

Registration for the Play Test is now up:

Well, it was inevitable, but still sucks to get confirmation of the closure. Looks like I picked up my Wii U at just the right time, because I wouldn't be surprised if we see a lot more demand for them in the coming months. Off the top of my head, probably the biggest things that'll be missed are going to be DLC exclusive things for games like Smash 4, the third route of Fire Emblem Fates, those smaller Kirby spin-offs, and probably any GB/GBC games which ended up locked to 3DS (Pokémon games and Link's Awakening DX). I'll probably also need to sit down at some point and write my list out. Even with NSO being out there, I'd like to own a lot of these classic games (even if only digitally), because if NSO is ever pulled then all of a sudden there's going to be a huge hole of Nintendo classics. I wouldn't expect that to happen for at least two generations of consoles at this point, mind (earliest point would probably be the successor of the Switch's successor), but still. At the very least, I'm pondering whether to scoop up most if not all of the Nintendo published stuff. A sale would be a kindness Ninty, that's all I'm saying (probably not going to happen, but you know, why not pray for one?) After last summer's debacle with the Vita and PS3 stores shuttering and then being kicked down the road due to player demand, does this mean the Vita store is going to outlive the 3DS's? I mean, I know Vita means life, but that would be an insane outcome

Well, the new PlayStation Productions animation is very pretty to look at: Not to be confused with PlayStation Studios ( Productions is focused on TV and film).

The cinematic trailers for The Old Republic never miss, do they?

Somehow, Cyberpunk returned Series X gameplay: PS5 gameplay:

Looks all but confirmed at this point: CDPR, guys, this quarter's already stacked

Haven't seen anyone else mention it yet, but this is only going to be £15.99 (from the game's eShop page), the same price as Final Fantasy VIII Remastered. It's nice to see some consistency to S-E's pricing, I kind of figured they'd be trying to push this at an extortionate rate and taking advantage of the game's previous release situation.

Horizon Forbidden West set inbound! Unsurprisingly it's a Tallneck

Seriously! I kind of view Attack on Titan like I do Demon Slayer -- while it would suck to get spoiled which makes me want to check out the manga (and also to know what happens next), the animation and music just elevate it so much for me that I simply can't bring myself to read the manga. I know you've read the manga, but out of curiosity, where would you rank what we've seen animated so far in S4 Pt. 2 with the rest of the show? For me, I really enjoyed S4 Pt. 1, but just because it was the first half of a season it was naturally never going to have as much tension and action compared to what we're getting right now, so for me it sat below S1 and S3 Pt. 2. But, just based on what we've got so far, S4 Pt. 2 is kind of just blowing them all out of the water for me. All killer, no filler. It's the first time in a long time where I'm tuning in for something the moment it drops! Hard to disagree with you, OP 2 has been played several times today and it kills. OP 1 is definitely more in your face, but like you say, OP 2 is just a slow grower. I really like ED 2 too, though I think I prefer ED 1 just for the funky energy it brings. Also gives me a heart attack every time in the latter stages of ED 2 when they start absolutely belting the lyrics

Absolutely. This video where he talks about nearly committing suicide hits incredibly hard. Didn't deserve an ounce of hate - he was paid to do a job, and that's pretty much that. In fairness, this is what I was talking about when I was talking before about a piece of art - film, games, books, whatever - being timeless, and how we get much less of that these days. It's definitely not helped by oversaturation and rushed schedules, mind you. I loved The Force Awakens when it came out, I saw it five times in cinemas, I've listened to the OST hundreds of time, and the same goes for The Last Jedi to an extent (though I came out initially 50/50 on it, it grew on me during my other visits to the cinema to see it). There's stuff to like there, and The Force Awakens felt magical the first time I watched it, especially that opening act. But I really don't think they hold up as well to repeat viewings as a lot of the earlier Star Wars films, and in honesty, for me that's not just a sequel problem, that a Disney Star Wars film problem. None of them are really timeless. Sure it's subjective, I'm open to different opinions, and they don't need to be timeless - but when you're a Star Wars fan or a fan of anything and a new entry releases, comparing to what came before is only natural. Now, to the extent that directors, actors, and actresses are getting harassed? Not at all. If you have a problem with those films, in my eyes, direct it at the big wigs at the massive mouse-eared company that oversaw all of those films. There's a hell of a lot of studio interference to be found there, as I've mentioned before, and I mean, come on, just logically and taking away all of the sequel hate for a moment, putting my tinfoil hat on: I do not believe for a moment that any Star Wars fan, much less JJ Abrams, would make Rey a Palpatine. And then make her take the name of Skywalker. There are definitely things wrong with the film, and even I tend to say "oh, that's on Abrams", but that's more to do with his own mystery box approach to TFA coming back to haunt TROS rather than his direction. There's a reason we never got - and probably never will get - those Making Of books for the sequels! As for The Last Jedi specifically, I don't really care about Rotten Tomatoes and critics anymore. That was the film where I learned that I really don't care about a general consensus opinion on things that I care about and want to form my own opinions on, and it killed my enjoyment of a lot of movie reviewers and movie related channels. Forget jarring, it was straight up exhausting going through that film's critical narrative. All I'll say about Rotten Tomatoes is that I don't give it the time of day because of it being a Yes/No system which is easily skewed one way or the other, and it's flawed in that way like other score aggregation sites such as IMDb or Metacritic, where they have the issue that reviewers don't seem to know that the scale extends below a 7. Re: Rey and Snoke, it's not really a chicken and egg situation, and I don't blame the fans for talking about it so much, even if it did go too far. Like I said, The Force Awakens is written in a way that pushed the audience to ask those questions, and even if it wasn't, those questions were going to be asked anyways. It was incredibly effective at it, and again, Abrams is a master of raising those questions - but that's bordering on useless when you don't know the answers to begin with. Oh nice! I've been following its price ever since it first came out and have put it in and out of my online basket a whole lot over the years. One day, maybe! And yes, absolutely, Doug Chiang's work is phenomenal. I spent days as a kid just going through the pages of his and his team's concept art for Revenge of the Sith in the Making Of book, I just love imagery that gets your own creative pulse going. Iain McCaig is another! Honestly, Disney+ has generally just had such a weird marketing cycle for its shows. Other than that Investors Day meeting which was essentially a Disney+ Direct, they've been all over the place. We're three months away and have nothing but a poster and some concept art for Kenobi, which says it all. On the one hand I'm glad they're not showing much, but on the other, it makes it difficult to read how they're spacing the marketing for these shows, and so it's tough to figure out when Bad Batch is going to land. Oddly enough, I'm there with you, she had a lot more personality here than she's had in everything else she's appeared in. I can't tell if that's just emphasised further because they did so little with Boba, though. And I think you mean the Firespray gah, I hate that they changed it. I'm all for being more socially and culturally acceptable, but things like this and claims of cultural appropriation every single time there's some type of tribal savage on screen these days is incredibly frustrating! Yeah, Qui-Gon is a rare case, as he never completed his training and so isn't as much a Force ghost, but rather a Force voice? You watched the final arc of The Clone Wars when you watched it, right? In that Yoda can hear Qui-Gon and is guided by him, but everyone else thinks he's going nuts. By all means I think adding new lore and abilities is perfectly fine, but I think there needs to be some form of consistency, especially if it's something that's been explored in side material like The Clone Wars. Again, not necessarily blaming JJ even if it could have been his fault, but whoever had that idea to have Leia be a Force ghost doesn't understand the ramifications it brings, especially with so little context behind it. It brings about questions about the internal logic we already have of that system: what has Leia learned in her very limited time learning about the Force that means she would be able to come back that way, but not Ben, or other Jedi? That's my biggest issue with it. I'm glad you enjoyed that scene on Exegol, but personally I just cringed a lot. "I am all the Jedi" rings extremely hollow in the same year that we got "And I...am...Iron Man", and I think it kind of fell flat because it really should've been Rey and Ben going "We are all the Jedi", what with the focus of Palpatine for the entire film being their connection as a dyad in the Force. And it sucks that we probably didn't get Force ghost in IX because of wanting to fit in with China, but I think an even bigger missed possibility once Ben climbed out of the hole was to have his face lit up by flashes from the fight as he walked towards Palpatine, and have it cut between Adam Driver's face and Hayden Christensen's. Palpatine was always concerned about Vader (I mean, look at how restrictive he made his suit), so I think seeing something like that could have petrified him.