Posted May 2, 2007 Oh my god you're awesome...I havnt read it yet, Im about to right now, but wanted to post first. I can tell it will be sweet (Keep it up! Series FTW) Thats freaking sweet. Ill give something like this an ATTEMPT later, or this week sometime. ...Never used the brush settings either (Lol, Novice!) how do you change the settings? Oh, and whats a C4D image? Share this post Link to post Share on other sites
Posted May 2, 2007 Lets see some results! Word. At the latest Ill give it an attempt on Friday daytime. Share this post Link to post Share on other sites
Posted May 2, 2007 Im editing the orginal tut now. with your suggestions. Share this post Link to post Share on other sites
Posted May 2, 2007 Im editing the orginal tut now. with your suggestion fyi. That's good. I'm glad you're taking into account what I've said, and learning from it. Don't rely on a 'system' to determine certain aspects of signature design. Use your own judgement - your own creative mind... Share this post Link to post Share on other sites
Posted May 2, 2007 That's good. I'm glad you're taking into account what I've said, and learning from it. Don't rely on a 'system' to determine certain aspects of signature design. Use your own judgement - your own creative mind... Ill dig up a diagram that might help explain what i was going on about. Share this post Link to post Share on other sites
Posted May 2, 2007 *Strips off to "ease" the tension* Share this post Link to post Share on other sites
Posted May 2, 2007 Grid System: I like to keep the major focus within the central area and then text/other point of interest on/near the crossovers. Share this post Link to post Share on other sites
Posted May 2, 2007 I've never heard about that before. It seems perfect for people that are looking to start designing signatures, because it gives the user an idea of where not to position certain components. But for the more advanced user (which I would class yourself as), you should explore out of that grid, but always stick to a level of fluidity - making everything flow and pin-pointing a central focus point (A light source is good for making a focal point.) Share this post Link to post Share on other sites
Posted May 2, 2007 I've never heard about that before. It seems perfect for people that are looking to start designing signatures, because it gives the user an idea of where not to position certain components. But for the more advanced user (which I would class yourself as), you should explore out of that grid, but always stick to a level of fluidity - making everything flow and pin-pointing a central focus point (A light source is good for making a focal point.) Where about do you get your stocks from? Im in the mood to experiment. Also i need some good fonts. Or a link to somewhere that will show to how/when to add text. Share this post Link to post Share on other sites
Posted May 2, 2007 Whats this? Fresh revealing his secret secrets? : O (Nice tutorial, I might try one day ) Share this post Link to post Share on other sites
Posted May 3, 2007 thats a loooooot of steps... Results are stunning though, IMHO. Share this post Link to post Share on other sites
Posted May 3, 2007 Thanks guys, lets see some results! Share this post Link to post Share on other sites
Posted May 3, 2007 Whats the site you use for C4D stock renders? Share this post Link to post Share on other sites
Posted May 4, 2007 Whats the site you use for C4D stock renders? http://www.planetrenders.net/renders/ Nice ones under both Abstract 3D Renders and Fractal Renders. Share this post Link to post Share on other sites
Posted May 4, 2007 Nice stuff Fresh, better than I could do fo'sho. There's something in there I've never even tried too... adding texture to the brush. One thing though, and this may be just because of my distance from the screen, those pixel fonts don't seem ideal for the steps. And tie.nano, Fresh. What the hell. I can see all your deleted posts, quit pissing about. You're both good at these kinds of things, even if you have different methods - try getting along a bit. Share this post Link to post Share on other sites
Posted May 4, 2007 Erm, this sounds stupid (But remember Im a somewhat novice) wheres the Oil pastel? How do I identify it? Share this post Link to post Share on other sites
Posted May 4, 2007 Nice stuff Fresh, better than I could do fo'sho. There's something in there I've never even tried too... adding texture to the brush. One thing though, and this may be just because of my distance from the screen, those pixel fonts don't seem ideal for the steps. And tie.nano, Fresh. What the hell. I can see all your deleted posts, quit pissing about. You're both good at these kinds of things, even if you have different methods - try getting along a bit. Thanks Shorty. No offence or anything but was that last comment really needed? No. We are fine now. Overmoderation isn't good and we both deleted our posts for a reason. Share this post Link to post Share on other sites
Posted May 4, 2007 Well I made an attempt! And another one. Share this post Link to post Share on other sites
Posted May 4, 2007 I wasn gonna give it a try, but pic http://img257.imageshack.us/img257/3047/freshp1ul8.jpg ain't working. Edit: It's up now. Share this post Link to post Share on other sites
Posted May 6, 2007 Well I made an attempt! And another one. I Like the first one most, Did you make those from some stock photos. You could try a pre-cut render or render your own. I wasn gonna give it a try, but pic http://img257.imageshack.us/img257/3047/freshp1ul8.jpg ain't working. Edit: It's up now. No reason why not to try now then... :P Share this post Link to post Share on other sites
